Trigger warnings for Her Mercy

Although I purposely wrote Her Mercy to be a bit less dark than A Disturbing Prospect and A Risky Prospect, it still contains some themes that might be uncomfortable or even triggering for some readers. As a rape survivor, I am a huge supporter of trigger warnings in entertainment; I cannot tell you how many seemingly fluffy romances I picked up, only to find themes I wasn’t mentally prepared for. When you have PTSD or something else you struggle with, being equipped is an essential tool in your recovery.

Here are the potential trauma triggers, as well as a content warning.

  • Age gap romance: There is a substantial age difference between Bree and Mercy; she is 14 and he is 33 when this book begins.
  • Drug and alcohol use: Some characters use drugs and drink alcohol.
  • Childhood sexual assault: Several characters have a history of being molested as children.
  • Guns and violence: My vigilante bikers use guns to fight the bad guys, as well as other violent means of taking out the trash.
  • PTSD from rape: A character experiences flashbacks, anxiety, and other symptoms of PTSD due to being raped by a teacher. Most of this is mentioned vaguely, on purpose; I needed to write a bit of a lighter book after A Risky Prospect.

If you feel that you won’t be safe reading Her Mercy, please don’t risk your health. As a rape survivor and someone with PTSD, I wish many books came with a list of trigger warnings. No book is worth your well-being.

Please also note that I don’t necessarily condone or endorse the themes contained in this book. I do, however, wish it was legal to kill rapists. 😉

If you’ve read Her Mercy and feel that I may have missed something, please email me.

Read Her Mercy

Runaway Bree shatters veteran Mercy’s peace when she shows up on his MC’s doorstep, then his heart when she runs away again. Can he find her and make up for twenty years lost?

Her Mercy, Chapter 1

“You’ve got to be kidding me.”

Same old Claudine, with “cunt” tattooed down between her tits. Another reason I hate her, but not the reason. “I must’ve got off the wrong stop.” I turn back toward the train.

Somewhere in Connecticut, Ravage is laughing at me.

Catch Up

Her Mercy is a River Reapers MC novella. This book can be read as a standalone, or pairs well with A Disturbing Prospect and A Risky Prospect.

Part 1: The Drifter

Chapter 1

Bree
Now

I breathe a sigh of relief as the train pulls out of the station. He didn’t come after me. I didn’t really expect him to, considering I kind of just dropped that bomb on him and walked away. Typical me. Still, there was a slim chance he’d chase me, but he didn’t.

No one is chasing me now.

I lean back against the seat and watch through the window as New Haven, Connecticut fades away. It occurs to me that I don’t really have a reason to run. Ravage thought it might be best until things cool off, but I could’ve told him to go fuck himself. Instead, I took his money and let his Prospect collect me and drop me off.

It doesn’t take a psychoanalyst to figure out why I keep running from this state.

By now I should be tired of running. The truth is, I find it thrilling. Leaving not only gives me a clean slate, but also an opportunity. There are fifty states in this country and millions of people—ample places and faces to get to know.

I always end up back here.

Not this time.

This time will be different.

This time, I’ll stay away.


The train rolls into Norfolk, Virginia thirteen hours later. The conductor on the loudspeaker pronounces it “No Fuck,” informing us that this is the last stop. I peer out the window, scanning the dusty parking lot for my ride and new roommate. There are too many people milling around, so I grab my bag and get off the train.

I step to the side so I’m not blocking the other passengers getting off and shield my eyes with a hand. I wish I’d thought to grab his sunglasses. They were some silly designer frames, but they’d come in handy right about now.

I’ve got no idea what this woman is supposed to look like, and I don’t have a cell phone, either. If she doesn’t show, I’ll have to figure something else out. I don’t panic because I always do.

“Bree?”

I wrinkle my nose at the woman in front of me. “You’ve got to be kidding me.”

“I never kid around.” She winks.

Same old Claudine, with the word “cunt” tattooed down between her tits, her dark hair streaked through with red. “I must’ve got off the wrong stop,” I mutter, turning back toward the train.

Somewhere in Connecticut, Ravage is laughing his ass off.

“Oh, come on, Bree. It’s all water under the bridge.” She grabs my bag, spinning me around. “Besides, you look beat. And hungry. You always got bitchy when you haven’t eaten.”

“I’m even more bitchy when you’re around.” I smooth my paisley skirt across my thighs. It’s threadbare, but I’ll wear it ’til it dies.

“So let’s even you out, then. You look like you could use a burger. Three, maybe.” She eyes the way my skirt hangs on my hips, how my ankles barely fill my boots.

I sigh. I am hungry. There’s nowhere else for me to go, anyway, at least not right now. “Fine,” I relent, “but you’re buying.”

I follow her to a beat up Subaru, watching her bony ass in that tight little skirt. I can’t believe Ravage shacked me up with her. I’d just as soon be on the streets again. Which is probably where I’ll go, the second my stomach is full.

I expect her to take me to a restaurant, somewhere I can just slip out when we’re done. Instead, she drives the half hour to Hampton, where she pulls into a cute condo complex.

“Home sweet home,” she sings.

I flinch. This can’t possibly be her place. It looks so normal. I glare at the townhouse, crossing my arms.

“Oh, stop. Some of us get our lives together. Even a backwarmer like me.” She pushes open the driver’s side door and gets out, grabbing my bag from the backseat. Without another word, she marches inside, leaving the front door open.

Backwarmer. I sniff. More like homewrecker.

My stomach growls, reminding me what I came here for. As soon as I finish eating, I’m out of here. I follow her in, closing the door behind me out of habit. Immediately I wish I’d left it open. It’s too loud in here, the walls painted an angry red. Blue armchairs, accent tables, and a coffee table try to anchor it, but the red and purple throw rugs only amplify it. Scarves in reds, blues, and purples cover the wall behind the blue couch.

I rub my temples.

The outside might look normal, but the interior looks like Claudine threw up everywhere.

I wrap my arms around myself, longing for the eggshell walls of state housing.

The kitchen isn’t much better. The walls are still red, accented with more blue and a little golden yellow along the backsplash. I climb onto a stool at the counter dividing the kitchen from the dining area, and wrap my legs around its rungs.

Claudine dances around the kitchen, singing Bon Jovi while cooking. Another reason I hate her, but not the reason. She puts a plate of three cheeseburgers down in front of me, then sits across from me, her placemat empty. She folds her hands.

I pick up a burger, and grease drips between my fingers. The sensation makes me want to wipe my hands, but there’s no napkin holder on the table. I sink my teeth into the bun. Spices flood my senses, my mouth watering around the food. It’s good.

Fucking Claudine.

Of course she can cook.

While I’m chewing my second bite, she leans forward.

“What?” I ask with my mouth full. She doesn’t deserve manners, even if this might be the best burger I’ve ever had.

“I thought you’d wanna know,” she begins, her eyes intent on mine.

I take another bite, mostly so I don’t have to answer her. Almost one burger down. Two to go. Then I can go, too.

“Mercy’s getting out,” she says, and just like that, my day is ruined.


Thank you for reading Chapter 1 of Her Mercy, a River Reapers MC prequel novella.


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A RISKY PROSPECT Glossary

While reading A Risky Prospect, there might be some terms you aren’t familiar with, or places you need a refresher for. I’ve put together a glossary of biker slang and club roles, as well as terms special to the River Reapers MC, plus locations.

Looking for the character guide? Click here!

Cara’s: A diner on 63 that Donny and Esther work at. Many of the River Reapers frequent Cara’s.

Colors: A logo of sorts that adorns the back of MC members’ cuts. Usually embroidered onto the leather. The River Reapers colors is the Sludge Specter—a sludge-covered reaper that is a nod to the polluted Naugatuck River.

Cut: The leather jacket or vest that members of a club wear, usually with the club’s insignia embroidered onto the back, and various patches sewn on.

Enforcer: Sort of a bouncer for the club… or the guy who sorts things out when talking doesn’t work.

Hangaround: A non-member who hangs out with the MC, often at The Wet Mermaid. Usually other motorcycle enthusiasts and even non-rival bikers.

House Mouse: A woman who is unaffiliated with but hangs out with the club.

Holeshot: When someone in a motor vehicle rips up gravel. It’s also the fastest driver during a race. Not a biker term, but a reader asked about it, so I figured I’d include it. It also used to be my dad’s CB handle.

Ol’ Lady / Ol’ Man: Girlfriend/boyfriend, usually serious.

One-kicker: In A Disturbing Prospect, Cliff mentions that he isn’t a one-kick wonder yet; this means that he can’t start his bike with just one kick of the starter.

One-percenter: A club that is involved with illegal activity.

Lewisburg: The prison that both Cliff and Mercy served time in.

MC: Motorcycle club

Naugatuck, CT: The dying industrial town where the series takes place. Also a real town near where I grew up.

Naugatuck River: A river that cuts through Naugatuck and Waterbury. Known nationally in real life for its chemical pollution. More recently, there was an oil spill. Some say the river is cursed.

Patch: This can refer to the patch on a biker’s cut, or the verb—as in, getting patched in, meaning being accepted as a member.

President: The member who oversees club activities, duties, and operations.

Prospect: A potential member.

Pussy Pad: The seat on the back of the bike, usually where a biker’s ol’ lady rides.

River Reapers MC: A fictional motorcycle club named for the Naugatuck River.

Rocker: A curved patch that is usually placed on the side or back of a cut. Usually designates the club’s name.

Sergeant-at-Arms: The member who handles club rules, patches, etc. Also sometimes weapons. (In some MCs, the SAA and Enforcer are interchangeable terms for the same role.)

Sludge Specter: A patch awarded only to members willing to do anything for the MC, who have actually gone above and beyond member duties. Also refers to the MC’s colors.

“Take them to the river”: A River Reapers phrase referring to killing someone—usually determined by a club vote. Example: When the original members voted to kill Bastard for molesting Lucy, they voted whether to take him to the river. Bodies are often buried on the Naugatuck River front, making it a more literal phrase.

Treasurer: The member who takes care of funds. Also organizes activities, fundraisers, and other club events.

Vice President: Second-in-command, usually coordinates Church and other events, and also takes over President roles in case that member can’t perform his duties.

The Wet Mermaid: The strip club owned by the River Reapers. The business is under Treasurer Mark’s name.


Read the River Reapers MC Series

[mbm_book_grid id=”115″]


A Recap of A Disturbing Prospect

There’s a lot of stuff happening in these River Reapers MC books, and it’s been over a year since I published A Disturbing Prospect, so you’re bound to forget something. Shoutout to Molli Moran for suggesting I put a recap in the beginning of A Risky Prospect; I decided to do it as a blog post instead, that way it doesn’t take up any space in the book. (Per Amazon’s TOS, bonus content can only take up no more than 10 percent of your ebook.)

Before You Read

Take a look at potential triggers, and check out the glossary of biker terms. There’s also a handy character list.

Previously on the River Reapers MC series…

Cliff was released from prison, but didn’t have anywhere to go. Thanks to terrible prison wages, he’d earned exactly enough for his cab and one night in a shitty motel. There was only one person he could call, but it was a long shot: his cousin Lucy. Would she even remember him? And if she did, would she want to talk to him?

It turned out that not only did Lucy remember him, but she was still grateful for what he did for her. She immediately offered to come down to Pennsylvania from Connecticut and pick him up. She planned on going by herself, but her adopted younger sister Olivia insisted on tagging along. She could use the break from her mundane life as a college student. In just a few months, she’d be graduating and officially a social worker. She had to live it up while she still could. Not too much, though—they almost missed their train!

When Olivia and Cliff meet, they’re instantly attracted to each other.

And then suddenly we’re in Lewisburg, and the Escalade pulls up in front of the entrance to a Days Inn. A man paces out front, his hands shoved into the pockets of his coat. Long brown hair that’s nearly black frames his face, and he’s got a beard, so I can’t really make out his features. But he’s big.

Not in a heavy way. He’s tall and broad. Even with that bulky hand-me-down coat, I can tell he’s built. It’s like I’m psychic and imagined him into being. Biting my lip, I stifle a giggle. For all I know, he’s really ugly and has a beer gut.

It really has been too long since I’ve gotten laid.

Lucy pays the Uber guy, we grab our luggage, and then my sister and I are standing in front of the motel with Cliff.

“They kicked you out?” she asks him.

He looks up, and depthless brown eyes meet hers. Despite the massive amounts of fur on his face, he’s handsome.

Hot, even.

There’s a scar next to his eyebrow that’s more like a pocked hole. It looks like someone bludgeoned him with a big rock. They probably did. But the rest of his face is intact—no teardrop tattoos or anything like that. His eyes are surprisingly soft and kind. When he smiles at Lucy, it lights up his whole face.

Olivia, Cliff, and Lucy spend a few days in Lewisburg while Cliff gets himself transferred to a probationary officer in Connecticut. Then they’re on the road again—or at least, they should be.

To celebrate, they go out for drinks. Olivia and Cliff have a few shots too many and get skin to skin in the back of someone else’s station wagon. Olivia swears to herself that it’ll never happen again. After all, they’re practically cousins.

But Cliff can’t shake lively, lovely Olivia from his head. It’s been 20 years since he set eyes on a woman, so maybe he’s just crushing on the idea of her. Or maybe it’s something more.

Cliff’s new P.O. sets him up with a job, and on his first day, he realizes he and Olivia have even more in common: they’re both working for a motorcycle club. Neither of them want the other there, and they both keep trying to change each other’s mind.

“They sell drugs, Olivia. This is just a front.” And fuck knows what else they do. I don’t say that, though. “This isn’t a good place for you.”

The relaxed woman in front of me morphs before my eyes. Her eyelids droop so that only slits of her pupils, irises, and whites are showing. Her lip curls. Nostrils flaring, she stabs the cigarette into the air in front of me. “You don’t get to tell me what to do.”

“Look, I’m not trying to be a dick, Livvie—”

“And you don’t get to call me that.” She sucks in a long drag. “The only way this is going to work, Cliff, is if you do you and I do me. We agreed: family reunions. That means you don’t stomp around acting like my fucking daddy.”

I rub my temples. “So you don’t mind working in a place that sells coke?”

The dirty look she tosses me is simultaneously condescending. “What the fuck do you think I do behind this bar? Pour beer for shit tips?”

Oh, Olivia. I look down at my drink, at the cigarette in my hands. I need something a lot stronger. It’s only my first shift and everything is spiraling out of what little equilibrium I had. “You’ll go down with them,” I say. “Do you want that?”

She rolls her eyes. “I want to pay off my student loans. The most I can possibly hope to make is $40,000 a year in this fucking state. I’ll be lucky if I can land a job with DCF. I don’t want to start off in debt right out of the gate.”

“What is it you’re going for?” I pictured her as doing something more adventurous, not sitting in a goddamn state office all day.

Stubbing out her cigarette, she settles those brown eyes on mine. “I want to be a social worker. I wanna help kids in the system.” The unsaid remainder of that sentence hangs between us: So they don’t end up like you.

“Don’t you think,” I say slowly, “that it’ll be a little hard to get a nice state job if you’re convicted of selling drugs?”

“Fuck you,” she lobs at me.

Grinning, I stand. “You already did.” I walk away, the whiskey soaking into me. Not in an out of control way. My veins swim, limbs relaxed. This head is clear.

But Olivia has even bigger problems. A guy from her photography class just won’t take no for an answer. She lets him down gently, but something about him seems off.

Meanwhile, Cliff learns that his father Bastard was the MC’s President. His mother Ruth shielded him from the MC until she died, so he was naive to much of who and what Bastard was.

Until he caught Bastard molesting Lucy.

Cliff killed Bastard and went to prison for his murder. The MC’s current President Ravage explains that he and some of the other members wanted to kill Bastard themselves, but club protocol meant they had to vote. Unfortunately, the vote was split right down the middle, meaning none of the members could take any action against Bastard. Cliff, Ravage explains, did them a favor, so if he wants to join the MC, he’s welcome to be a Prospect.

It’s a lot to take in, but Cliff ultimately decided to become a Prospect because, apart from Lucy, he has no family. The MC could be his family, if he lets it.

Olivia starts noticing odd things: first her roommate Esther’s car gets keyed, then someone tries to kill her kitten. She approaches Donny, the MC’s Enforcer, for a gun—just in case. She’s been hurt by too many men in the past, and it can’t hurt to err on the side of caution.

It all comes to a head when her classmate Eli makes a copy of her apartment key and breaks in. Thankfully, she’s prepared, but she wasn’t prepared to fight him. After a close call, she takes Eli out with a shot to the hand and then to the head. The only thing she didn’t prepare for was the aftermath. She can’t call the cops. Instead, she calls Cliff.

Cliff calls the MC, and with Enforcer Donny and Sergeant-at-Arms Beer Can, he dismembers and disposes of the body. Eli can’t hurt Olivia anymore, but she’s still in a state of shock. It shouldn’t feel so good to take a life. Cliff knows exactly what she means.

MC President Ravage is both irritated with and proud of both Cliff and Olivia for the way they handled things. He reveals to Olivia that her father was Cliff’s father’s Vice President. The club is her birthright, too, if she wants it. The MC offers her a position as a Prospect, and patches Cliff in as a full member.

All that’s left is for Olivia and Cliff to decide whether they should be together. Neither of them can deny the pull they feel toward each other. Besides, the couple that hides a body together stays together, right? They decide to give it a go, for now…

The story continues in A Risky Prospect, Book 2 in the River Reapers MC series.

A RISKY PROSPECT Cover Reveal

When I sat down to write A Disturbing Prospect and then A Risky Prospect, I had no idea how much Olivia and Cliff’s story would resonate with readers. See, I wrote these books for me; there were some demons I wanted to slay, and writing has always been my therapy, my catharsis. I’ve long wanted to write a biker romance, and many of my favorite stories involve vigilantes: The Crow, Watchmen, Kick-Ass, The Punisher… Those dark stories about everyday people using what they’ve got to get justice have always spoken to me.

In A Disturbing Prospect, I wrote for justice for someone else, for the Lucys in my life. In A Risky Prospect, I wrote for justice for myself.

I am a sexual assault survivor. Two different “boyfriends”—I hate to call them that, because they didn’t treat me like boyfriends should—hurt me, and it almost killed me. I spent the last few years unpacking all of the damage, struggling through PTSD and flashbacks, clawing my way through to the other side. Part of that involved writing my story. I took those two boyfriends, merged them into one character, and let the words flow.

I knew when writing A Disturbing Prospect (Book 1) that Olivia had some trauma to unpack in A Risky Prospect (Book 2). I wanted her arc to shine, so I brought in designer Natasha Snow, and suggested we feature Olivia on the cover.

I never imagined just how badass this cover turned out.

Brash social worker Olivia has been through her own personal hell and come out the other side, tattered but determined to make things better in her corrupt town—no matter the cost. Her roommate’s current situation is the perfect place to start.

When ex-con Cliff’s wild ol’ lady Olivia comes to him and the River Reapers for help, he’s on board. His vigilante motorcycle club can get the job done, and it’ll help convince Olivia to take the next step in their relationship.

But when Olivia’s traumatic past walks through the club’s doors, there’s no stopping her from doing whatever it takes to settle her own score. Even if it means crossing a line that Cliff might not be able to pull her back from.

Read Chapter 1 | Pre-Order

I’m so excited to share this book with you. I can’t wait ’til it’s in your hands! A Risky Prospect releases March 18th. Pre-order your copy now!

The “Kidnapped by the Biker” Trope Needs to Die

I loved Sons of Anarchy, so when I discovered there was a whole sub-genre of biker romances, I pounced. Except I was disappointed again and again.

Over and over, I kept coming across the same trope: kidnapped by the biker. Usually the heroine is the daughter of the President of a rival MC, and the hero kidnaps her as retaliation. She’s dragged out in the middle of the night, bound, and kept as a pawn in their game. Over time, she and the hero fall in love.

That’s not love. Not my idea of love, anyway. I can’t imagine ever having positive feelings toward someone who was so cruel to me.

I’m also not a fan of the damsel in distress trope. I prefer my heroines kicking ass and taking names.

So I wrote my own.

If a rival MC ever kidnaps Olivia, god help them. 😂

Which tropes would you like to see less of? Sound off in the comments!


Photo by Meelimello / Pixabay

SONS OF ANARCHY Handled Tara’s Stalker All Wrong

As much as I love Sons of Anarchy, one thing has always bugged me: how Tara’s stalker was handled.

Don’t get me wrong. It was super heroic of Jax to kill that motherfucker. And that sex scene after, with the body right in the corner? Smoking hot, even if a little twisted.

But.

But!

Kohn tortured Tara. Terrorized her. Drove her out of her job and home, and then followed her there and continued to toy with her.

As a woman who has had a stalker, I really needed Tara to be the one to kill Kohn.

He was her demon; she should’ve slayed him.

Instead, we got a classic damsel in distress storyline, with Jax saving the day and Tara not at all empowered. You could argue that her character wasn’t the stalker killing type, and maybe you’re right, but it still bugged me.

My stalker wasn’t nearly as deranged as Kohn, but he was scary enough. He seemed benign enough, at first—a photographer in one of my college classes who needed a model. I’d done some modeling for a high school friend, so I jumped at the chance. Then he started talking about shooting me nude, in the woods, so I politely extracted myself.

Or so I thought.

For weeks, he followed me all over campus. It wasn’t a small campus, so at first I tried to convince myself that we just kept running into each other. But I was creeped out, and my gut is never wrong.

He wouldn’t let the shoot go, either.

Thankfully, I had some awesome friends who were more than happy to hover around me like overprotective brothers, and my stalker eventually got the message. I never even had to use my mace. Which was kinda too bad.

Still, when I watched Sons of Anarchy for the first time, I related to Tara quite a bit. Obsessive men are fucking scary. I hoped and hoped Tara would be the one to save herself, and even though I wasn’t surprised when Jax saved her, I was still disappointed.

Years later, when I sat down to write the forbidden biker romance that became A Disturbing Prospect, I knew one thing for sure: my distressed damsel would not be asking her biker boyfriend to handle her problems.

Maybe I’m being stubborn, but I’ve been taking care of myself my whole life. I don’t need Prince Charming to ride in on his motorcycle and shoot down my dragon. I’ve got my own gun. I’ll slay my own monsters.

-Olivia, A Disturbing Prospect (River Reapers MC, Book 1)

Maybe if more of us handled things like Olivia, creepy men would back the fuck off.

No offense, Tara.


Did you know you can pre-order the sequel to A Disturbing Prospect? Click here!


Trigger Warnings for A RISKY PROSPECT

When I published A Disturbing Prospect, I told you it was the darkest book I’d ever written. Well, I think I’ve outdone myself. *laughs nervously*

I 1,000% stand behind A Risky Prospect. I wrote this book for me. I took two “men” who hurt me, merged them into one character, and then got my revenge. I realize that this book isn’t for everyone. It might not make sense to a lot of people. But to me—and maybe for some of you who have survived hell, too—this book is everything.

However, I’d never want my words to set someone else’s healing back, so I’ve put together a list of triggers so that you don’t walk in blindly. I can’t count how many fluffy romances I picked up only to find themes I wasn’t mentally prepared for. When you have PTSD or something else you struggle with, being equipped is an essential tool in your recovery.

Here are the potential triggers.

  • Drug and Alcohol Use: Some characters use drugs and drink alcohol.
  • Childhood Sexual Assault: Several characters have a history of being molested as children.
  • Guns and Violence: My vigilante bikers use guns to fight the bad guys, as well as other violent means of taking out the trash.
  • PTSD from Rape: A character experiences flashbacks, anxiety, and other symptoms of PTSD due to being raped by an ex-boyfriend.
  • Sexual Revenge: A character goes Full Dark, No Stars and a little biblical and gets their revenge.

If you feel that you won’t be safe reading A Risky Prospect, please don’t risk your health. As a rape survivor and someone with PTSD, I wish many books came with a list of trigger warnings. No book is worth your well-being.

Please also note that I don’t necessarily condone or endorse the themes contained in this book. I do, however, wish it was legal to kill rapists.

If you’ve read A Risky Prospect and feel that I may have missed something, please email me at elizabethbaronebooks@gmail.com.


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Photo by Marvin Esteve on Unsplash

Trigger Warnings for A DISTURBING PROSPECT

A Disturbing Prospect is the darkest book I’ve ever written. Not only is there a body count, but the book also deals with some real-life nightmares that I’ve longed to fight back against. Some of these themes may trigger personal trauma.

I needed to tell the story in my heart and right some wrongs, but I’d also never want anyone to suffer because of my words. None of these themes are gratuitously presented in the book, and my vigilante bikers always prevail. Still, I want my readers to be safe, so here is a list of potential triggers.

Animals: There’s no pet death in A Disturbing Prospect, but an animal is harmed.

Biker Culture: Let’s be real—biker culture is misogynistic as fuck. I wanted to portray that realistically, while also incorporating some changes. There’s some biker slang and characters who treat women as property in this book.

Childhood Sexual Abuse: Some of the characters have a history of being sexually abused as children. None of their memories are described, but there is mention of it having happened.

Drugs: There is brief mention of selling and use of drugs.

Self-Injury: A character catches a glimpse of another character’s self-mutilated arms.

Sexual Assault: One of the recurring themes in this series is violence against women and children. (One of the other recurring themes, however, is justice for that violence.) There are some hints of past sexual assault throughout A Disturbing Prospect.

Stalking: A character mercilessly stalks and taunts another character throughout A Disturbing Prospect.

Violence: All of the good guys in this series are vigilantes—antiheroes who take justice into their own hands. There is blood, fighting, gun violence, and a villain body count.

If you feel that you won’t be safe reading A Disturbing Prospect, please don’t risk your health. As a sexual assault survivor and someone with PTSD, I wish every book came with a list of trigger warnings. No book is worth risking your safety.

Please also note that I don’t necessarily condone or endorse the themes contained in this book.

If you’ve read A Disturbing Prospect and feel that I may have missed something, please email me at elizabethbaronebooks@gmail.com.


Ex-con Cliff thought Olivia was the peace he needs, but she just might be the hell he’s riding away from.

A Disturbing Prospect is now available!

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Chapter 1

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A nod to Tess Sharpe, who wrote up a similar list for her Barbed Wire Heart and made me feel like less of an alien for wanting trigger warnings.


Biker Slang and Club Roles

Now that A Disturbing Prospect is live, I thought I’d run through some of the biker slang and club member titles that pop up throughout the book. While writing, I used this biker slang dictionary as a reference.

Looking for A Risky Prospect terms and locations? Click here!


Cut: The leather jacket or vest that members of a club wear, usually with the club’s insignia embroidered onto the back, and various patches sewn on.

Enforcer: Sort of a bouncer for the club… or the guy who sorts things out when talking doesn’t work.

House Mouse: A woman who is unaffiliated with but hangs out with the club.

Holeshot: When someone in a motor vehicle rips up gravel. It’s also the fastest driver during a race. Not a biker term, but a reader asked about it, so I figured I’d include it. It also used to be my dad’s CB handle.

Ol’ Lady / Ol’ Man: Girlfriend/boyfriend, usually serious.

One-kicker: In A Disturbing Prospect, Cliff mentions that he isn’t a one-kick wonder yet; this means that he can’t start his bike with just one kick of the starter.

One-percenter: A club that is involved with illegal activity.

MC: Motorcycle club

Patch: This can refer to the patch on a biker’s cut, or the verb—as in, getting patched in, meaning being accepted as a member.


MC Positions

President: The member who oversees club activities, duties, and operations.

Prospect: A potential member.

Pussy Pad: The seat on the back of the bike, usually where a biker’s ol’ lady rides.

Rocker: A curved patch that is usually placed on the side or back of a cut. Usually designates the club’s name.

Sergeant-at-Arms: The member who handles club rules, patches, etc. Also sometimes weapons. (In some MCs, the SAA and Enforcer are interchangeable terms for the same role.)

Treasurer: The member who takes care of funds. Also organizes activities, fundraisers, and other club events.

Vice President: Second-in-command, usually coordinates Church and other events, and also takes over President roles in case that member can’t perform his duties.

There are other positions in an MC, but I didn’t want to overwhelm my readers with a whole slew of characters. You’ll meet more of the members in the next book. 😉


A Disturbing Prospect
Now Available

Book 2: A Risky Prospect
Prequel Novella: Her Mercy
Book 3: A Fatal Prospect
Book 4: COMING SOON